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Waldemar Abegg | akg-images | Album | Paul Almasy | Piero Baguzzi
Nicolò Orsi Battaglini | Bianconero | David Borland
British Library | Cameraphoto | Hervé Champollion | Peter Connolly
Mark de Fraeye | Gérard Degeorge | Electa | The Francis Frith Collection
Markus Hilbich | John Hios | Andrea Jemolo | Marion Kalter
Anthony F. Kersting | Tristan Lafranchis | Erich Lessing | Walter Limot
Joseph Martin | Bildarchiv Monheim | James Morris | Nimatallah
Robert O'Dea | Vincenzo Pirozzi | Abraham Pisarek
Marco Rabatti & Serge Domingie | Sotheby's | ullstein bild | Tony Vaccaro
Giorgio Nimatallah began his photographic career at the end of the 1950s in Denmark. Returning to Italy in 1963, he collaborated with Fratelli Fabbri on a series of art publications, before going freelance three years later. Nimatallah has worked with some of the world's largest publishing houses, including Mondadori and Shogakukan, taking photographs of works in the most famous museums and art galleries, as well as specialising in photographing Greek, Roman and Etruscan art in the 1980s.
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akg1-B480-A1780-B Thomas Gainsborough's 1776 portrait of Johann Christian Bach, the so-called Milan or London Bach, now in the Liceo Musicale in Bologna. Photo: akg-images / Nimatallah |
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akg1IT-291-P4-1470-3 French illumination, c.1470, from the oldest French translation of Boccaccio's "Teseida", in the Austrian National Library in Vienna. Photo: akg-images / Nimatallah . |
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akg2-G60-G1-30 Roman 4th Century mosaic of gladiators fighting, in the Museo Arqueologico Nacional in Madrid. Photo: akg-images / Nimatallah |
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akg2-K60-K4-3 Early Cycladic head (early Bronze Age, Greece, 2400-2200 BC, in the National Archaeological Museum, Athens. Photo: akg-images / Nimatallah . |
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akg2-M120-A5-1598-D Caravaggio's "Amor as Victor", 1598/99, in the Gemäldegalerie in Berlin. Photo: akg-images / Nimatallah . |